Jessica Sligter & Sarah Hennies, coverage of performance at Kafé Harvaerk, Oslo. The Wire, January 2019.
Adam Christensen, interview with the musician and artist about his exhibition, ‘Shitty Heartbreaker’, at Overgaden, Copenhagen, for Frieze, September 2018.
Uptown High Rise No 2, review of group exhibition at Vermilion Sands, Copenhagen, ArtReview September 2018.
Lifestyle Minimalism essay on minimalism and consumer culture, The Wire August 2018.
Let the River Flow, review of Sami activist art survey show at Oslo's Office for Contemporary Art Norway (OCA), ArtReview Summer 2018.
New Dark Age feature on James Bridle’s book about technology and catastrophe, Frieze July 2018.
Underground Life Coaches about Markus Popp aka Oval's new creative coaching workshops, The Wire June 2018 issue.
Civilisations article about the new BBC Two TV reboot of Kenneth Clark's watershed 1969 series looking at Western culture, Frieze online and April 2018 issue.
Borealis Festival article about the experimental music and art festival in Bergen, Norway, The Wire June 2017.
Two Dreams For Endless Skies liner notes for Endless Sky album by John Chantler & Johs Lunds.
The New Age feature on contemporary art and new age aesthetics, Frieze March 2017.
Cycle Music & Art Festival review of the new Icelandic festival, The Wire January 2017. (Pictured above.)
Thought-lines essay about the work of Danish artist Jacob Remin, for exhibition programme at Overgaden art space, Copenhagen
Bosch on YouTube essay about artists, memes and music, The Wire September 2016.
Oberhausen Short Film Festival essay for the influential German artists film festival programme.
Artist’s Novels feature on contemporary artists who write fiction, in Frieze September 2015.
Heather Phillipson feature on the artist and poet in The Wire February 2015.
Eternal Pish essay on music and Red Bull energy drink marketing tactics, The Wire online
Civil Servant essay about the legacy of Kenneth Clark’s 1969 art history television broadcast, Civilisation, and an exhibition of his art collection at Tate Britain, in Frieze Masters.
Benedict Drew, interview with the artist and musician, Frieze magazine June 2014.
Jennifer Tee: Occult Geometry, review of the Dutch artist’s show at Kunsthal Charlottenborg, Copenhagen, Denmark for Frieze 167, November-December 2014 – read it online here
Oreet Ashery interview with the artist about her Party For Freedom project. The Wire online.
Cevdet Erek, interview with the Turkish artist and musician, The Wire April 2014.
Copenhagen International Documentary Film Festival (CHP:DOX 2013), feature review of Copenhagen’s documentary film festival, The Wire January 2014.
Contour: 6th Biennial of Moving Image, feature on the city-wide festival of artists’ moving image work in Mechelen, Belgium. Frieze magazine, November/December 2013.
Full Stream Ahead, article about artists' video work made for, and distributed on the Internet. Sight & Sound International Film Magazine June 2013.
Tectonics Reykjavik, article on the Icelandic music festival. The Wire May 2013.
Peter Watkins: A Retrospective article about the radical film maker and activist’s retrospective at OCA, Oslo. The Wire 342 August 2012.
Elizabeth Price feature interview with the Turner-prize winning video artist, Elizabeth Price. The Wire 338 April 2012.
John Akomfrah: The Nine Muses online feature interview with the film maker and Black Audio Film Collective founder. Online at The Wire.
Interview with Adam Curtis online feature interview with the British television documentarist, Adam Curtis. Online at The Wire.
Nathalie Djurberg and Hans Berg interview with the artist/musician duo. The Wire 334 December 2011.
Matt Stokes feature interview with Beck’s Futures-prize winning artist and film maker Matt Stokes. The Wire 320 October 2010.
Systematics: Haroon Mirza review of group show, focusing on the work of sound artist Haroon Mirza, Zabludowicz Collection, London. The Wire 319 September 2010.